En 1928 la théorie des form constants par Klüver catégorisait les hallucinations visuelles en quatre grandes catégories. Alors que la notion de form constants venait à s’appliquer virtuellement à toutes les figures entoptiques, comme l’avait prévu son auteur, dont les photismes synesthésiques, Cytowic a décrit et Carol Steen représenté ce que voient réellement des synesthètes visuels. L’une des caractéristiques d’œuvres de peintres synesthètes serait justement la présence de ces formes classées par Klüver. L’anthropologie avec la thèse de l’externalisation a montré (...) que certaines cultures ont repris les form constants perçues dans le premier stade de l’intoxication pour en faire les patterns de leur art. Les modèles physiologico-mathématiques permettent de localiser en V1 l’origine de production des photismes et d’expliquer leur morphogénèse. Mais une explication des circuits neuraux empruntés pour passer des différents types de déclencheur sensoriel à l’apparition de photismes synesthésiques reste aujourd’hui au stade de l’hypothèse. La synesthésie est l’objet de recherches alliant les sciences les plus contemporaines dont la génomique. Il est possible que les études sur la synesthésie transforment son statut de phénomène marginal en un élément essentiel dans la compréhension du système physiologique sous-jacent à l’esprit humain. In 1928, Klüver’s theory of form constants placed visual hallucinations into four broad categories. Whereas, as predicted by its author, the notion of form constants was virtually applicable to all entoptic figures, including synesthetic photisms, the very notion of entoptics was definitively extended. Cytowic has described and Carol Steen has represented what visual synesthetes actually see. The presence of these forms, as they have been classified by Klüver, is precisely one of the characteristics of the works of synesthetic painters. With the thesis of externalization, the field of Anthropology has shown that some cultures have adopted the constant forms perceived in the first stage of intoxication as patterns for their art. Physiological-mathematical models allow us to locate the origin of photism production in V1, and to explain these photisms’ morphogenesis. But, even today, an explanation of the neural pathways used to pass from different types of sensory triggers to the appearance of synesthetic photisms remains at the hypothesis stage. Synesthesia is a research topic that combines some of the most contemporary sciences, including genomics. Studies on synesthesia may just transform its status as that of a marginal phenomenon into that of an essential element in understanding the physiological system underlying the human mind. (shrink)

À partir des années 1980 eut lieu une véritable révolution dans la connaissance du phénomène neurologique de la synesthésie, qui s’est accompagnée d’une révolution culturelle avec l’apparition de témoignages personnels de synesthètes. Cette représentation littéraire et plastique des perceptions synesthésiques fait partie du mouvement contemporain de représentations autobiographiques de différentes conditions neurologiques. Carol Steen, Patricia Lynne Duffy et Marcia Smilack sont des acteurs pionniers de la représentation des perceptions synesthésiques. From the 1980s, a revolution took place in the knowledge of (...) the neurological phenomenon of synesthesia, which has been accompanied by a cultural revolution with the emergence of personal accounts of synesthetes. Autobiographical representation—literary or plastic—of synesthetic perceptions belongs to the contemporary movement of autobiographical representations of various neurological conditions. Carol Steen, Patricia Lynne Duffy and Marcia Smilack are pioneers involved in representation of synesthetic perceptions. (shrink)

Cognitive sciences and neurology finally put the stress on olfaction and its dysfonctionalities. Their researches may explain linguistic phenomenoms (insuitability between language and odors) or litterary issues (proustian memory). Neurology and anthropology apparently conclude that there is a fundamental inadequation between human language and odors, opposed to language and colors’s subtle and narrow links.

C'est sur le chemin étonnant et sinueux du célèbre Phénomène Humain que nous entraîne cet ouvrage, nous invitant à la table de l'Histoire : contexte ecclésial, oppositions intellectuelles notoires sur la marche de l'Univers, dédale des allers-retours entre Pierre Teilhard de Chardin et ses supérieurs à la recherche d'un nihil obstat" jamais décroché, et enfin, une publication post-mortem, au succès et au retentissement foudroyants. Se basant sur les archives privées de la Compagnie de Jésus et des documents inédits ou (...) peu connus, les auteurs reconstituent patiemment le fil et, au-delà des aspects historiques, offrent une analyse philosophique et théologique qui permet de prendre conscience de la richesse, mais aussi des limites de la pensée du célèbre jésuite, et, in fine, de sa fécondité pour la pensée actuelle"-- Back cover. (shrink)

Notre travail se donne pour objectif de montrer que le point de rupture entre l’économie néoclassique et l’économie comportementale réside dans la manière dont chacune définit la rationalité. Cette dernière était parfaitement unifiée par la maximisation. Mais Simon pose les fondements de l’économie comportementale en critiquant précisément le concept néoclassique de rationalité et en suggérant que l’agent suit des modes de raisonnement alternatifs. Bien que Kahneman et Tversky proposent une typologie de ces modes de raisonnements, ils les réunifient ultimement dans (...) la théorie des perspectives cumulative. La réunification de la rationalité constitue ainsi la pierre angulaire de la distinction entre ancienne et nouvelle économie comportementale et permet de rendre compte des débats contemporains entre Kahneman et Tversky, d’une part, et Gigerenzer, d’autre part, au sein de cette dernière. Codes JEL : A12, B13, B40, D01, D91. (shrink)

Résumé De nombreuses musiques cherchent à exercer sur les auditeurs une « efficacité symbolique » : transformer l’instant musical en rite d’initiation, faire entrer les corps en transe, convertir les émotions musicales en émotions corporelles, c’est-à-dire les affects en actions. En s’appuyant sur les écrits théoriques de Pierre Boulez et Karlheinz Stockhausen, cet article tente de montrer comment chez ces deux compositeurs cette utopie d’une subjectivation à travers la ritualisation de l’écoute s’articule à l’entreprise formaliste d’autodéfinition de la musique, (...) en vue de la constituer comme une sphère autonome. (shrink)

The general ideas of this book are of double origin. One source is akin to the relatively recent current of biological thought named Evo-Devo. Second source belongs to a more ancient French philosophical tradition represented, among others, by Bergson and Pierre Teilhard de Chardin. Few words about the Evo-Devo research program. Its creation was prompted by the analysis of the developmental processes in the embryos of different species. About fifteen years ago some discoveries related to the dynamics of the (...) embryological development demonstrated a striking structural identity/stability of homeoboxes in different living forms. Homeoboxes are just small genes determining a strictly specific aminoacid sequence of short polypeptides which „act" like hormones, „regulating" the dynamism of the gradually developing body. The parentheses were used deliberately, to stress the arbitrary character of the „signalling". (shrink)

Research into the so-called “philosophical” Hermetica has long been dominated by the foundational scholarship of André-Jean Festugière, who strongly emphasized their Greek and philosophical elements. Since the late 1970s, this perspective has given way to a new and more complex one, due to the work of another French scholar, Jean-Pierre Mahé, who could profit from the discovery of new textual sources, and called much more attention to the Egyptian and religious dimensions of the hermetic writings. This article addresses the (...) question of how, on these foundations, we should evaluate and understand the frequent hermetic references to profound but wholly ineffable revelatory and salvational insights received during “ecstatic” states. Festugière dismissed them as “literary fictions”, whereas Mahé took them much more seriously as possibly reflecting ritual practices that took place in hermetic communities. Based upon close reading of three central texts (CH I, CH XIII, NH VI6), and challenging existing translations and interpretations, this article argues that the authors of the hermetic corpus assumed a sequential hierarchy of “levels of knowledge”, in which the highest and most profound knowledge (gnōsis) is attained only during ecstatic or “altered” states of consciousness that transcend rationality. While the hermetic teachings have often been described as unsystematic, inconsistent, incoherent or confused, in fact they are grounded in a precise and carefully formulated doctrine of how the hermetic initiate may move from the domain of mere rational discourse to the attainment of several “trans-rational” stages of direct experiential knowledge, and thereby from the limited and temporal domain of material reality to the unlimited and eternal one of Mind. (shrink)

[506] Je ne m’arrêterai pas à vous entretenir, Messieurs, sur la liaison des connaissances, qui sont l’objet de chacune des quatre classes de cette Académie. Ces liaisons sont celles de toutes les sciences, et les mêmes que celles qui enchaînent les vérités, de façon qu’elles en font un tout étroitement uni en toutes ses parties. La classe de physique expérimentale, à laquelle j’ai cru devoir me vouer, me donnera lieu de vous offrir un point de vue plus particulier, en ce (...) que je vais ramener... (shrink)

Free logic, an alternative to traditional logic, has been seen as a useful avenue of approach to a number of philosophical issues of contemporary interest. In this collection, Karel Lambert, one of the pioneers in, and the most prominent exponent of, free logic, brings together a variety of published essays bearing on the application of free logic to philosophical topics ranging from set theory and logic to metaphysics and the philosophy of religion. The work of such distinguished philosophers as (...) Bas van Fraassen, Dana Scott, Tyler Burge, and Jaakko Hintikka is represented. Lambert provides an introductory essay placing free logic in the logical tradition beginning with Aristotle, developing it as the natural culmination of a trend begun in the Port Royal logic of the 1600s, and continuing through current predicate logic--the trend to rid logic of existence assumptions. His Introduction also provides a useful systematic overview of free logic, including both a standard syntax and some semantical options. (shrink)

Lambert Zuidervaart examines what is living and what is dead in the social philosophy of Theodor W. Adorno, the most important philosopher and social critic in Germany after World War II. When he died in 1969, Adorno's successors abandoned his critical-utopian passions. Habermas in particular, rejected or ignored Adorno's central insights on the negative effects of capitalism and new technologies upon nature and human life. Zuidervaart reclaims Adorno's insights from Habermasian neglect while taking up legitimate Habermasian criticisms. He also (...) addresses the prospects for radical and democratic transformations of an increasingly globalized world. The book proposes a provocative social philosophy 'after Adorno'. (shrink)

Free logic is an important field of philosophical logic that first appeared in the 1950s. J. Karel Lambert was one of its founders and coined the term itself. The essays in this collection explore the philosophical foundations of free logic and its application to areas as diverse as the philosophy of religion and computer science. Amongst the applications on offer are those to the analysis of existence statements, to definite descriptions and to partial functions. The volume contains a proof (...) that free logics of any kind are non-extensional and then uses that proof to show that Quine's theory of predication and referential transparency must fail. The purpose of this collection is to bring an important body of work to the attention of a new generation of professional philosophers, computer scientists and mathematicians. (shrink)

A critical and creative reconstruction of Adorno's conception of truth that shows its relevance for comtemporary philosophy, art, and politics.

Gregg Lambert demonstrates that since the publication of _Proust and Signs_ in 1964 Gilles Deleuze’s search for a new means of philosophical expression became a central theme of all of his oeuvre, including those written with psychoanalyst Félix Guattari. Lambert, like Deleuze, calls this “the image of thought.” Lambert’s exploration begins with Deleuze’s earliest exposition of the Proustian image of thought and then follows the “tangled history” of the image that runs through subsequent works, such as _Kafka: (...) Toward a Minor Literature_, _The Rhizome_, and several later writings from the 1980s collected in _Essays Critical and Clinical._ Lambert shows how this topic underlies Deleuze’s studies of modern cinema, where the image of thought is predominant in the analysis of the cinematic image—particularly in _The Time-Image_. Lambert finds it to be the fundamental concern of the brain proposed by Deleuze in the conclusion of _What Is Philosophy? _By connecting the various appearances of the image of thought that permeate Deleuze’s entire corpus, Lambert reveals how thinking first assumes an image, how the images of thought become identified with the problem of expression early in the works, and how this issue turns into a primary motive for the more experimental works of philosophy written with Guattari. The study traces a distinctly modern relationship between philosophy and non-philosophy that has developed into a hallmark of the term “Deleuzian.” However, Lambert argues, this aspect of the philosopher’s vision has not been fully appreciated in terms of its significance for philosophy: “not only ‘for today’ but, to quote Nietzsche, meaning also ‘for tomorrow, and for the day after tomorrow.’”. (shrink)

pt. 1. Text -- pt. 2. Notes, bibliography and indices.

As well as aiming to revive interest in Meinong's thought, this book challenges many of the most widespread assumptions of philosophical logic.

The essays in this volume are based on addresses presented during a colloquium on free logic, modal logic and related areas held at the University of California at Irvine, in May of 1968. With the single exception of Dagfinn F011esdal, whose revised address is included in a recent issue of Synthese honoring W. V. Quine, all of the speakers at the Irvine colloquium are contributors to this volume. Thanks are due to Professor A. I. Melden, Chairman of the Department of (...) Philosophy at Irvine, for his enthusiastic support of the colloquium, and to Drs. Gordon Brittan and Daniel Dennett for their help in the administration of the colloquium. Finally. I should also like to thank Professor Ralph W. Gerard, Dean of the Graduate Division of the University of California at Irvine, for the financial support which made the colloquium possible. KAREL LAMBERT Laguna Beach, California, 1969 TABLE OF CONTENTS PREFACE V KAREL LAMBERT and BAS C. VAN FRAASSEN/ Meaning Relations, Possible Objects, and Possible Worlds 1 JAAKKO HINTIKKA / Existential Presuppositions and Uniqueness Presuppositions 20 RICHMOND H. THOMASON / Some Completeness Results for Modal Predicate Calculi 56 H. LEBLANC and R. K. MEYER / Truth-Value Semantics for the Theory of Types 77 J. M. VICKERS / Probability and Non Standard Logics 102 PETER W. WOODRUFF / Logic and Truth Value Gaps 121 DANA SCOTT / Advice on Modal Logic 143 INDEX OF NAMES 175 KAREL LAMBER T AND BAS C. (shrink)

An innovative, ambitious, tradition-crossing study drawing on the work of Husserl, Heidegger, Horkheimer, Adorno, and Habermas to propose a new and transformative concept of truth. The idea of truth is a guiding theme for German continental philosophers from Husserl through Habermas. In this book, Lambert Zuidervaart examines debates surrounding the idea of truth in twentieth-century German continental philosophy. He argues that the Heideggerian and critical theory traditions have much in common—despite the miscommunication, opposition, and even outright hostility that have (...) prevailed between them—including significant roots in the phenomenology of Edmund Husserl. Zuidervaart sees the tensions between Heideggerian thought and critical theory as potentially generative sources for a new approach to the idea of truth. He argues further that the “critical retrieval” of insights from German continental philosophy can shed light on current debates in analytic truth theory. Zuidervaart structures his account around three issues: the distinction between propositional truth and truth that is more than propositional (which he calls existential truth); the relationship between propositional truth and the discursive justification of propositional truth claims, framed in analytic philosophy by debates between epistemic and nonepistemic conceptions of truth; and the relationship between propositional truth and the objectivity of knowledge, often presented in analytic philosophy as a conflict between realists and antirealists over the relation between “truth bearers” and “truth makers.” In an innovative and ambitious argument, drawing on the work of Husserl, Heidegger, Horkheimer, Adorno, and Habermas, Zuidervaart proposes a new and transformative conception of truth. (shrink)

The authors contend that most contemporary logic textbooks fail the average student because they emphasize the evaluation of arguments over their clarification, assuming that the student already understands what motivations underlie logic.

The expression ‘free logic,’ coined by the author in 1960, is an abbreviation for ‘logic free of existence assumptions with respect to its terms, singular and general, but whose quantifiers are treated exactly as in standard quantifier logic.’ In more traditional language, such logics do not presume that either singular or general terms — the two distinct categories of terms emphasized in modern logical grammar — have existential import. A singular term ‘t’ has existential import just in case t exists (...) (or, equivalently, there exists an object the same as t) and a general term (or predicate) ‘G’ has existential import just in case G exist (or, equivalently, there exists an object that is G).1 Examples from colloquial English customarily taken to be singular terms are expressions such as ‘Socrates’, ‘the planet causing perturbations in the orbit of Mercury’, ‘5’, ‘5/0’, ‘the square of 3’ and ‘having a heart’. Some of these do not have existential import — in particular, ‘5/0’ and ‘the planet causing perturbations in the orbit of Mercury’. Examples from colloquial English customarily taken to be general terms are expressions such as ‘is a philosopher’, ‘is a planet causing perturbations in the orbit of Mercury’, ‘number’, ‘is divisible by 0’, and ‘has a heart’. Some of these general terms do not have existential import — in particular, ‘is a planet causing perturbations in the orbit of Mercury’ and ‘is divisible by 0’. To say that the quantifers are treated exactly as in standard quantifier logic is to say, roughly, that the operator symbol ‘∃’ (the existential quantifier) reads: ‘There exists an object’, and the operator symbol ‘∀’ (the universal quantifier) reads: ‘Every existent object’. (shrink)

Theodor Adorno's Aesthetic Theory is a vast labyrinth that anyone interested in modern aesthetic theory must at some time enter. Because of his immense difficulty of the same order as Derrida - Adorno's reception has been slowed by the lack of a comprehensive and comprehensible account of the intentions of his aesthetics. This is the first book to put Aesthetic Theory into context and outline the main ideas and relevant debates, offering readers a valuable guide through this huge, difficult, but (...) revelatory work. Its extended argument is that, despite Adorno's assumptions of autonomism, cognitivism, and aesthetic modernism, his idea of artistic truth content offers crucial insights for contemporary philosophical aesthetics.The eleven chapters are divided into three parts: Context, Content, and Critique. The first part offers a brief biography, describes Adorno's debates with Benjamin, Brecht, and Lukács, and outlines his philosophical program. The second part is an interpretation of Adorno's aesthetics, examining how he situates art in society, production, politics, and history and uncovering the social, political, and historical dimensions of his idea of artistic truth. The third part evaluates Adorno's contribution by confronting it with the critiques of Peter Bürger, Frederic Jameson, and Albrecht Wellmer.Lambert Zuidervaart is Professor of Philosophy at Calvin College. (shrink)

This paper considers whether theism is compatible with moral error theory. This issue is neglected, perhaps because it is widely assumed that these views are incompatible. I argue that this is mistaken. In so doing, I articulate the best argument for thinking that theism and moral error theory are incompatible. According to it, these views are incompatible because theism entails that God is morally good, and moral error theory entails that God is not. I reject this argument. Since it is (...) the best argument for thinking that theism and moral error theory are incompatible, I conclude that these views are compatible: one can coherently accept both views. (shrink)

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Lambert Wiesing's The Philosophy of Perception challenges current theories of perception. Instead of attempting to understand how a subject perceives the world, Wiesing starts by taking perception to be real. He then asks what this reality means for a subject. In his original approach, the question of how human perception is possible is displaced by questions about what perception obliges us to be and do. He argues that perception requires us to be embodied, to be visible, and to continually (...) participate in the public and physical world we perceive. Only in looking at images, he proposes, can we achieve something like a break in participation, a temporary respite from this, one of perception's relentless demands. Wiesing's methods chart a markedly new path in contemporary perception theory. In addition to identifying common ground among diverse philosophical positions, he identifies how his own, phenomenological approach differs from those of many other philosophers, past and present. As part of the argument, he provides a succinct but comprehensive survey of the philosophy of images His original critical exposition presents scholars of phenomenology, perception and aesthetics with a new, important understanding of the old phenomenon, the human being in the world. (shrink)

This book examines fundamental questions about funding for the arts: why should governments provide funding for the arts? What do the arts contribute to daily life? Do artists and their publics have a social responsibility? Challenging questionable assumptions about the state, the arts and a democratic society, Lambert Zuidervaart presents a vigorous case for government funding, based on crucial contributions the arts make to civil society. He argues that the arts contribute to democratic communication and a social economy, fostering (...) the critical and creative dialogue that a democratic society needs. Informed by the author's experience leading a non-profit arts organisation as well as his expertise in the arts, humanities and social sciences, this book proposes an entirely new conception of the public role of art with wide-ranging implications for education, politics and cultural policy. (shrink)

These phenomenological studies on the philosophy of the image review contemporary image theory while defending the fundamental insight that images alone make the artificial presence of things possible.

Cet article constitue la présentation des recherches effectuées par une équipe franco-grecque sur le tell de Kirrha en Phocide entre 2008 et 2015, et représente la publication préliminaire des structures archéologiques mises au jour. Deux secteurs distants l’un de l’autre ont été fouillés, révélant une dense occupation de l’Helladique Moyen, ainsi que des niveaux s’étageant jusqu’à l’Helladique Récent III. Notamment, une nécropole de la période transitionnelle (Helladique Moyen III – Helladique Récent I/II) a été fouillée dans la partie occidentale du (...) site, tandis que des niveaux mycéniens ont été reconnus à proximité du sommet. (shrink)

Die Studien zur Philosophie des Bildes verfolgen eine doppelte Absicht: Sie bemühen sich einerseits um einen Überblick über die grundlegenden Positionen innerhalb der gegenwärtigen Bildwissenschaft und versuchen andererseits stets einen systematischen Hauptgedanken zu verteidigen: Bilder präsentieren; nur Bilder ermöglichen die artifizielle Präsenz von ausschließlich sichtbaren Dingen, die den Gesetzen der Physik enthoben sind. Vor dem Hintergrund dieses Bildbegriffs wird die Verwendung von Bildern als Zeichen aus einer phänomenologischen Sicht beschrieben, Platons Mimesis-Begriff anhand seiner kanonischen Bildvorstellungen rekonstruiert und die besondere Bedeutung (...) extremer Bildtypen - wie die virtuelle Realität, Benutzeroberflächen oder die Abstrakte Fotografie - für die philosophische Arbeit am Bildbegriff vorgeführt. (shrink)

Se ha intentado realizar una traducción literal del texto de Lambert. En contadas ocasiones se han substituido construcciones sintácticas del alemán por otras que facilitan, a juicio del traductor, la lectura del texto en español. Asimismo, en algunos pasajes se han alterado los signos de puntuación, con la finalidad señalada.

Now available in English for the first time, The Visibility of the Image explores the development of an influential aesthetic tradition through the work of six figures. Analysing their contribution to the progress of formal aesthetics, from its origins in Germany in the 1880s to semiotic interpretations in America a century later, the six chapters cover: Robert Zimmermann (1824-1898), the first to separate aesthetics and metaphysics and approach aesthetics along the lines of formal logic, providing a purely syntactic way of (...) using signs, regardless of objective content; Alois Riegl (1858-1905), who went on to further develop aesthetics on the model of formal logic, creating a theory of style in response to Zimmermann's call for an aesthetics oriented toward formal logic; Heinrich Wölfflin (1864-1945), who represents a step toward an understanding of consciousness by using pictures as cognitive tools; Konrad Fiedler (1841-1895), the Saxon philosopher who considered the possibility that some kinds of images are made and viewed not for what they show, but for their visibility's sake alone; Maurice Merleau-Ponty (1908-1961), responsible for taking up the connections between the problems of reducing the range of potential meanings and contexts of a given image down to just the picture surface; Charles William Morris (1901-1979), who set out to establish whether a picture with no objective reference, such as an abstract painting, still counts as a sign, and if so, in what sense. Bringing these thinkers together and interlinking their ideas, Lambert Wiesing presents an engaging history of formal aesthetics, while reconstructing the philosophical foundations for the appearance of new image forms in the 20th century, including the video-clip, abstract collage, digital simulation and virtual reality. Using this original approach, The Visibility of the Image introduces the rise of modern image theory and provides a valuable account of our engagement with pictures in the 21st century. (shrink)